I’ve often said that the appreciation of a story is largely subjective. Every reader has a different mindset and reads things on varying terms than another person. That’s what makes criticism so challenging to sort through – what is a legitimate critique that might make an impact, and what is just a subjective critique that means more to one person than another?
That said, it is certainly frustrating when folks read
something I’ve written and completely miss the point(in my opinion). Two that come to mind are some critiques I’ve
gotten regarding Schism and Homecoming.
Schism is not supposed to take a
side. It’s a novel of a second American
Civil War, and its sole purpose is to show how bad I think things can get. It is not meant to impart a certain political
point of view. In that sense, it’s more
observational than being in advocacy.
I’m not rah-rah’ing one side or the other along and trying to say that
all (conservatives/liberals/anarchists/religious fundamentalists) are evil
bastards who we all need to unite against.
I’m reading the political and cultural environment and trying to warn
everyone that things could get really bad. Unfortunately, a few folks have taken
exception precisely because I’m not taking a side. Some folks are so caught up in their tribal
partisan politics that they’re outraged I haven’t supported them. “We red states have all the guns and would
whip the asses of the libs!” I hear, or “Those damn rightwing Nazis
wouldn’t stand a chance because we blue staters are more intelligent!” It looks exactly like the landscape of
the pre-1861 battlefield. Schism
isn’t about promoting republicans or democrats, conservatives or liberals –
it’s about the country going down in flames if we don’t figure out how to pull
back. The folks that don’t get that
should go find another writer who will more play to their biases.
Homecoming, on the other hand,
although set in a science-fiction universe, is not about giant space battles
and intricate alien civilizations.
Instead, it’s a novel about how our expectations don’t always match
reality, and that our past may not match the way things actually were since
it’s written by those in prominence. If
you’re focused on the way FTL travel works or why there are no subtle maneuvers
involving intergalactic diplomacy, you’ve again missed the point. Homecoming isn’t “traditional” sci-fi
in the way that Earthclan or Way of the Pilgrim are. Human victory over a malevolent enemy is a
given, and the other alien races are merely props in the play of how humanity
reacts to discovering unpleasant parts of its past, as well as finding out that
it’s not as noble of a species as it likes to think it is. You’ve got to delve deeper to figure out
which questions are being asked before you can ponder how to answer them.
I know that I’ve said such stuff shouldn’t bother a writer,
but it does become annoying when folks go extravagantly miss the point of the
story in the first place. I need more of
you who are deeper than casual readers to go in and see how things are written
to restore my faith in the audience.
Please?
No comments:
Post a Comment