Some writers can sit down at a computer and belt out the
best, most coherent story anyone has ever seen.
The words flow effortlessly across the page, and while they may have to
go back in a tweak a sentence or correct a bit of punctuation, the basic
framework of what they wrote will always remain intact.
Like most, though, I’m not one of those writers.
Sure, I’ve had that one book that required hardly any revision(Salvation Day), but the majority of my first drafts have sucked. I look at Canidae and large parts of Schism and wonder how I ever deigned to think I had talent. Then it occurs to me – they’re supposed to suck. That’s what first drafts are for.
Like most, though, I’m not one of those writers.
Sure, I’ve had that one book that required hardly any revision(Salvation Day), but the majority of my first drafts have sucked. I look at Canidae and large parts of Schism and wonder how I ever deigned to think I had talent. Then it occurs to me – they’re supposed to suck. That’s what first drafts are for.
The shitty part of recognizing that a first draft sucks is
the realization that you have to go back in and change it. Well, you don’t have to, but if you want
anybody other than your mom to say it was any good, it’s probably a good
idea. And knowing that you have that
extra work coming after all the effort you put into that first draft can be
demoralizing. Who wants to go in and
re-write their thesis?
But you need to. And
don’t go back in right away – at that point, you’re still too close to the
work. You need to wait several months so
you can look at it with fresh eyes. That
way, you can pick out the parts that were truly awful and are in need of a
re-write. You can also better envision
how that re-write will affect the rest of the story so you’ll know the scope of
work you have to put in. Sometimes it
will be minor, bit other times it will require nearly re-writing the whole damn
book. I have three right now that are in
need of such work, and it seem soul-crushing, but I know I have to do it
because these drafts are nowhere close to ready for publication.
You have to swallow your pride and recognize
that your first draft is likely to stink to high heaven. If you can objectively look at what you
wrote, you’ll be able to figure out when it really needs work. If you’re incapable of that, then you have to
have friends tell you what needs to be re-done, and that’s going to hurt. A lot.
But in the end, it’ll produce a better book, and, hopefully, better
sales. After all, aren’t creating good
stories and getting good sales a large part of the point?
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